Unlike any other
Leigh's voice is unlike any other you will hear. While I dearly miss SixPence NTR, I do enjoy still being able to listen to Leigh's lovely singing. If you are a SixPence fan, this is a must. If not, then try it out. Listen to it several times before you make up your mind. It grows on you. Thanks for sticking with it Leigh. I can't wait to hear more from you.

Leigh is a gem
If you are a fan of the gentle, gliding voice of Leigh Nash, you will enjoy the selection of Blue on Blue. Leigh has a way of infusing each song with melody beyond the music. When I play the record I find my mood elevating as I am lead by her sweet vocals into the careful lyrics. Some of the songs are pop-y, but I don't mind that because she is such a pleasure to have in the atmosphere. Each song is like a little joyous morsel that I look forward to unwrapping as the previous song ends.
As a fan of Sixpence and her Delerium track, I am happy to have found Blue on Blue. It's definitly worth the buy.

Missing the Harmony
I have to agree with another reviewer. For fans of Sixpense this album will get you part of the way there but not all the way. What is lacking is the essential harmony and sweet discordance that was created between Matt Slocum's guitar and Leigh's voice. I'm not pulling any punches here and being brutally honest the songs lack depth. Matt Slocum is just a better song writer and his absense here is very evident. I bought this Album because I heard and fell in love with the song "Charmed Life". One of Leigh's few solo efforts after Sixpense None The Richer. For those that are seeking that vibe - this is not the album that will give it to you.

Leigh Nash fans will be pleased
I loved this album. Although, to be fair, this definitely is not a bubble gum pop album that telegraphs within 15 seconds if you are going to like a given song or not. You really need to pay attention to what is going on and it might take two or three listens to really discover how accomplished, complex and graceful the overall album is. People who like poetry and savor listening to great lyrics will find "Blue on Blue" to be a treat during a long commute or maybe quiet afternoon where you just want to relax and contemplate things.

Leigh Nash has a particularly memorable voice that is supple and sweet without sounding too polished. And in this album, her sound is beautifully showcased with a low-key rock sound and, as I already said, some great songwriting. In fact, every time I listen to the album I'm more and more impressed with that aspect. Every song has something intriguing going on musically and the lyrics are universally intelligent, and emotionally wise. There really isn't a bad track on the whole album.

As a side note, I recommend you also check out Nash's work as a guest vocalist with Delerium. Other reviews mention that Nash was mostly known for being the lead singer for Sixpence None the Richer. But she's lent her voice to the rock-electronica band Delerium and that partnership produced some great songs. The sound is more up-tempo, but check out "Innocente" (from "Poem") and "Run for it" (from "Chimera").

Fine album from "Sixpence" Singer
Leigh Nash released this, her first soloalbum, 4 years after the break-up of her band Sixpence None the Richer. Though some may feel that the album lacks a bit of the edge that can be heard on Sixpence None the Richer's albums, fans of the ballads of that band are bound to love this album too. Nash co-wrote all songs on the album, which is full of fine songwriting.

One of the very best songs "Nervous In The Light Of Dawn " was written with Sixpence None the Richer partner Matt Slocum, and it was really great news that the band in early 2008 announced their reformation.

Leigh Nash has a very beautiful voice and with so much great material it should not go wrong - and it doesn't. Most tracks are really not that different from SNTR, but the guitars are generally more in the background on this album. A nice exception to this is the rocking "Blue".

Other stand-outs are the opener "Along the Wall" - a nice ballad dominated by piano and nice vocals.

Another exquisite ballad is "Never Finsh" with its gorgeous chorus. The same could be said about the moving closing track "Just a Little".

Among the bonus-tracks there is another Matt Slocum collaboration - the upbeat "Run Together".

Vocally Nash often touches upon the same sentiments as another great songwriter Suzanne Vega; though her approach is obviously more "pop". A fine album.