Wake me when it's over.....
YAWN! This is some of the most boring music I have ever heard. And from Kate Bush no less. I'm almost ashamed that I own it.

People Don't "Get" This Album
'Aerial' creates one long sustained feeling of deep, loving warmth. Just put it on & let it envelope you in sonic "honey". Stop looking for the past. This music is like a great dream - if you try to analyze it, the effect is ruined.

Kate Returns!
Watch Video Here: http://www.amazon.com/review/RUWUZCWXF402H My name is Jeremy Gloff. I am a musician (check me out on Amazon!) and retro music enthusiast. If you enjoyed this review make sure to check out my Amazon user profile to check out my other reviews. I am always up for making new friends and discussing the music I love!!!

Wow, Wow!
A simple stunning masterpiece. Her voice has matured beautifully and the production is top notch!

Superb Kate Bush!!
I was introduced to Kate Bush when I first saw her video for "Cloudbusting" Hounds of Love. This was sometime in the 80s. Donald Sutherland plays a father, an eccentric inventor on the wrong side of the government somehow. Kate plays his daughter. Cloudbusting is about Wilhelm Reich (The Mass Psychology of Fascism ) the astoundingly brilliant psychoanalyst and fringe researcher. The song is fantastic. I was hooked.

Kate is a beautiful woman, and a fantastic singer and artist. She is an experimenter with sound and style, too. She is much more than a pop artist, she's a little girl stuck in a woman's body. She never loses touch with her inner child and it's always there, in the front or in the back, but it's there. This quality of childishness makes Bush very insightful. The Sensual World, The Dreaming and Lionheart were all fantastic records, and the Hounds of Love, even better. And it's been a long time between records, almost ten years I'd guess, but I never forgot about Kate. I was excited to listen to this record much like I was with Joe Jackson's Rain (w/ bonus DVD). While I was delighted with the former I was disappointed with the latter.

Kate Bush walks a fine line between many styles. She can be straight ahead poppy, very artsy, very avante-garde, too. Her voice can be almost annoying shrill and elegantly sultry and dark and sexy. The lyrics in this record one reviewer compaired to Steely Dan's for their silly obscureness. One song in particular spends a great deal of time on washing machines. It seems silly, and it is, but I didn't care. Much like Steely Dan's lyrics can be silly and absurd one generally doesn't care as the arrangements and the quality are so fantastically good.

"How to Be Invisible" is particularly driving... it keeps moving forward with Bush's vocals going up and down. "A Coral Room" is beautiful, reminding one of "And Dream of Sheep/Under Ice" from Hounds of Love. Kate is still a force to be reckoned with here. This album is a real pleasure.

On first listen I really liked it, but felt challenged in particular by "King of the Mountain's" minimalism. But even that song grew to something much bigger. Building upon the spare openings of that song Kate created a massive sound assault that works so well. Kate does all kinds of vocal jumping and games in "Bertie". She is an artist and demands some patience and acceptance from the listener. But in the main, this album is so spare and so haunting as to make it very special. It is one of my favorite Kate Bush records. I hope she makes many, many more!
Brava!