Brothers Four CD's
Super cd's. If you enjoyed the Brothers Four in 65, they are back on these cd's. You can have some fine memories.

A great collection of songs
This is a great Brothers Four cd, it contains songs they recorded that are harder to find. I love this cd and I plan on getting one for my dad who introduced me to the Brothers Four when I was a child.

Brothers Four livin' live like 60's suburban sexy life
Brothers Four were a part of the late 50's early 60's urban Folk movement, helped along by the huge popularity of Kingston Trio. Their big hit was "Greenfields", written by Terry Gilkyson, a member of the Highway Men (Michael Row the Boat Ashore)

Brothers Four were very popular on college campuses, amidst liberal minded folks, and those interested in the NEW FOLK REVIVAL.

Put in a historical frame, Brothers Four eased the angst of '50s life and the protest of the Vietnam War by singing American folk songs, proudly, humorously, and allowing more determined topical songs by those like Peter Paul and Mary, Bob Dylan, Joan Baez, etc.. into the top 40 of music lists.

Brothers Four wore kahki pants and red shirts, suited, and sang with the same harmony of the act. BUT! they sang heroically of protest and passion, all the while looking like boys next door. That was important!

"In Person" is at their best. "Cross Country" is dang close. Luckily, both are on this CD. All the best songs are here, and the sit down clapping by the audience hoping and eager for the new decade is precious and a testament to what would come next. Truly a grin to those who lived through it and a fine example to those who wished they could.
This CD is highly recommended for those who continue to believe!!

Awesome
Everytime I think I found my favorite Brothers Four Album (CD)..then I come across something that I don't have and say "how can this be better than the other ones?" This collection shows that not only did these guys have talent in the studio but brought the talent live on stage with great harmonies besides showing GREAT sense of humor! I LOVE IT!

A pair of complementary live albums from the Brothers Four
This CD brings together two lives albums by the Brothers Four, the folk quartet that consisted of Bob Flick (upright bass, baritone, bass), John Paine (guitar, baritone), Mike Kirkland (guitar, banjo, tenor), and Dick Foley (guitar, baritone). They had met as undergraduates at the University of Washington in 1956 and began singing together in 1957, which was actually more than a year before the Kingston Trio recorded their first album (which should put an end to the idea that the Brothers Four were simply imitating the Kingston Trio but with one more member). "The Brothers Four in Person" is a 1962 effort that is one of the better live folk albums from that period. It was recorded at U.S. Naval Academy at Annapolis and Vanderbilt University in Tennessee and captures the group's sound quite well. Among the choice tracks are an upbeat version of "The Midngiht Special," a medley of "Rock Island Line" and "This Train," their hit song "Greenfields," "I Am a Roving Gambler," and "San Miguel," which is actually George Gershwin's "Summertime." The Brothers Four also display their comedy stylings with the "Theme from Peter Gunn" and "Variations on an Old English Theme."

"Cross-Country Concert" was recorded the following year and involves more topical commentary that the first live album, targeted at racial tensions in the South and the John Birch Society. This one was recorded at a series of concerts on various college campuses across the country. Consequently, the play list is a bit lighter this time around, including the Shel Silverstein song "Boa Constrictor." What you are not going to find on this album are any of the group's most recognizable hits (i.e., "Green Leaves of Summer," "Try to Remember"), but what you will find are gorgeous four-part harmonies on songs like "Wish I Was in Bowling Green," "Brady, Brady, Brady," "Winken, Blinken and Nod," and "The New 'Frankie and Johnny' Song." In addition to the humorous commentary throughout the show, the Brothers Four also have some fun with the entire folk revival movement in "A Symphonic Variation." I always thought the Smothers Brothers were rather unique in combining comedy and folk music, but apparently I was mistaken.

All things considered if your choice is between listening to albums of folk music recorded in a studio or done before a live studio audience, these two albums would be votes for the latter. Along with the Kingston Trio and the Chad Mitchell Trio, the Brothers Four helped define the softer and more entertainment oriented branch of the folk music, in contrast to the more political and issue oriented branch embodied by Woody Guthrie, Pete Seeger, and Bob Dylan. I know I am not alone in enjoying both.