The Avett Brothers - The Second Gleam (EP)
The Second Gleam (2008, Ramseur) The Avett Brothers' fourth studio EP. **1/2

The Avett Brothers are a definitive college-esque band. Hippie circles love 'em and they've got enough spunk to attact even offended ears, but on The Second Gleam, the energy is lost. That in itself is not the problem. In fact, if anything, it shows maturity. However, the material is just downright dull from start to finish. In fact, only on "The Greatest Sum" do soulful vocals actually appear, as the rest of the EP is dominated with cliche remembrances of love, family, and death. To say it is bad is one thing; awful, certainly not. But what makes it bad is its own laziness, which is a cumulative would-be effort of simple rhythms and lyrics.

Just Listen - Repeatedly
I am the Avett Brothers most avid disciple, so you're hearing nothing negative from me. The Second Gleam must be listened to repeatedly, it's like reading the Bible, you get something new from each song with each encounter. There's a finish to this CD that's satisfying in a different way than their first Gleam, and I love it too. It is not the rollicking footloose Avetts like in concert, it's the intropective soulful Avetts. Love them. Love the Second Gleam.

Amazing
It seems to be a little more depressing than emotionalism. But these songs come from the heart. A must have for any avett fan.

+1/2 - Low-key, stripped-down acoustic country-folk
As the Avett Brothers pack their bags for the big time of American Recordings and Rick Rubin, they've left this six-song EP as a capstone to their five years on the indie Ramseur label. Unlike the fuller, rock-inflected country-folk productions of last year's "Emotionalism," their latest is pared back to just the brothers, their guitars and a banjo. Bassist Bob Crawford is absent, the vocals are mostly solo and the lyrics are pushed up front, with instruments providing a setting rather than active elements of the songs. The result is more like a songwriter's circle than a studio recording, leaning more heavily on the tunes than the performances. The six songs (clocking in at just under 21 minutes) are thoughtful, direct and personal, covering themes of growing up and letting go, romantic desire, brotherly considerations of family, and some philosophical wonderings. The brothers finger-picking is particularly fetching on "Bella Donna," a song of innocent teenage longing that winningly brings to mind Alex Chilton's "Thirteen." The Avett's capture a frankness, in their writing, singing, playing and production that's startling in its quiet power. 4-1/2 stars, if allowed fractional ratings. [©2008 redtunictroll at hotmail dot com]

The Gleam P2
As a rule I avoid sequels. I can name only a handful of movies, books or albums that have succeeded artistically as a "sequel". While THE GLEAM PTII, does not rate as high in my opinion as the original, it's still a pretty strong piece of work. The concepts of both albums are the same, Scott and Seth Avett, minus bassist Bob Crawford facing off solo with spare, acoustic ballads. The original GLEAM gets the nod mostly due to IF IT'S THE BEACHES; perhaps the Avett's shining moment on record. Still, PART II does deliver some first class material, especially the opener TEAR DOWN THE HOUSE.

The quiet tunes featured on both GLEAM sets are a far cry from the raucous intensity of the Avett's live shows, but these guys are such great songwriters that it's still some essential listening. It will be interesting to see where they go on their next album that will be produced by fellow bearded Svengali, Rick Rubin. In the meantime it will be fine with me to enjoy these amazing, honest, heartfelt performances.