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You Don't Have to Be Jewish/When You're in Love the Whole World Is Jewish
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Bob Booker, George Foster
List Price: $12.98
Our Price: $8.99
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Product Details
- Artist: Bob Booker, George Foster
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- Binding: Audio CD
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- EAN: 0857764001596
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- Format: Live
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- Label: Jmg / Jewish Music
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- Manufacturer: Jmg / Jewish Music
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- Number of Discs: 1
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- Product Group: Music
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- Publisher: Jmg / Jewish Music
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- Release Date: 2007-02-06
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- Studio: Jmg / Jewish Music
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- Title: You Don't Have to Be Jewish/When You're in Love the Whole World Is Jewish
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- UPC: 857764001596
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Avg Customer Rating: 
Product Description: One of my fondest family memories of my wonderful childhood in the 1960's was listening to record albums on the hi-fi set in the den. Real records, that you had to flip over after side one, and be careful not to leave on top of the toaster oven. This was a time where my Little Golden Books and little transistor radio were my essential bedtime companions. Not to mention the hot mug of Ovaltine that Mom would make us before hitting the sack. "You Don't Have To Be Jewish" and it's follow up, "When You're In Love, The Whole World Is Jewish" were both staples in the Lifson home. Jewish comedy was not available to me as a kid through visits to the Catskills, so these albums, along with "Chanukah Carols" (also available on JMG) were my first exposure to a genre which would help prepare me for the Woody Allen and Albert Brooks movies I would love watching in the next decade, the '70s, and have enjoyed ever since. These very funny records were the brainchild of producer Bob Booker, who had produced a hugely successful pair of albums called "The First Family" which lampooned the Kennedy clan, with actor Vaughn Meader doing a brilliant JFK. These were essential listening for the early '60s, but after JFK's assassination, were quickly antiquated. For "You Don't Have To Be Jewish," Producer Booker, pairing with writer George Foster, assembled a first class ensemble of comedic actors to play the jokes and blackout type sketches on this LP. Lou Jacobi was seen on countless sitcoms as the "Jewish Dad" type, and Valerie Harper, who would later star as "Rhoda" on "The Mary Tyler Moore Show." Also featured were Arlene Golonka, who played Ken Berry's girlfriend on "Mayberry R.F.D." and Bob Mc Fadden, who were the voices behind many cartoon characters including one version of "Popeye" and one of my '60s faves, "Milton The Monster." And who could forget actor Jack Gilford from the many "Crackerjack" commercials he did, where he is caught eating the kid's Crakerjack late at night? The sketches on these two wonderfully nostalgic albums played like a prequel, maybe more Jewish version, of TV's "Laugh In" which would appear just a couple years later, in the Fall of 1968. The cast of "You Don't Have To Be Jewish" were invited to appear on the Ed Sullivan show, because of the broad appeal of the album's humor. It was clean and quaint, not biting and unsettling, like several of the "hipper" '60s comics, like Lenny Bruce and Mort Sahl. These Jewish jokes were ones that could be repeated at any office gathering or weeknight Pan and Poker games, like the ones I recall my parents having in the mid '60s. They still have the black card table with the white leather top that was used at their gatherings back then, when albums like "You Don't Have To Jewish" were such a unifying force. Classic bits on these two albums, released for the first time as a double disc CD here, include "Secret Agent James Bondtstein" and "The Cocktail Party" which is reminiscent of "Laugh In's" party scenes with the one liners floating in and out of martini glasses. "The Plotnick Diamond" bit is funny too, where Mrs. Plotnick complains that her large diamond comes enshrouded with a curse..."What's the curse her friend asks, in a Yenta-like way, "Mr. Plotnick!" is the reply. You see, these albums showcase the qualities of Jewish life we have all come to know as "trademarks," like: guilt, marrying a nice young doctor, eating as a remedy for anxiety, worrying too much, and of course, more guilt! Jewish people throughout the ages have relied on humor as a survival technique, and have always been noted for their sardonic and revelatory abilities to translate "agony" into "ecstasy" in the form of humorous dialogue. One can see where comics like Woody Allen got a lot of his early material from gleaning the cultural mores predominant in both these albums, that show Booker and partner Foster's true genius for defining a genre through humor. The live audience present here makes the material play even more like television, helping to create a real "visual" presence for these playets, which are both timeless and charming in their appeal. May these hilarious records provide you and your family the same "sitting around the hi-fi" happiness that I experienced when I first listened to them, wearing my pajamas that had all the gas station signs on them (my favorite was "Gulf") and eating my strawberry "Whip 'N Chill" light meringue pudding that Mom would make in those little glass dessert cups that were so evocative of the era for me. Food and humor always go well together in Jewish culture...Enjoy! Hal Lifson
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Customer Reviews
Think Classic Jewish Humor
When I was a child in the late 1960 and early 1970's , I grew up listening to album productions by Producers Bob Booker and George Foster. Such producers did the albums the First Family and the First Family Rides Again (poking fun at the presidency of John Kennedy, these two albums and a few other albums lost to lp hell (unavailable on CD).
These two albums of Jewish humor are placed on one CD showcases one line type jewish jokes and skits which Laugh-in would be known for later on. This is the kind of humor which Allan Sherman and Myron Cohon honed into their acts.
With a cast of actors (which included Lou Jacobi, Jack Gilford, Arlene Golonka, Frank Gallop,Betty Walker, Valerie (Rhoda) Harper and Bob McFadden) doing this audio skit comedy, the jokes are standard ethinic Jewish jokes that are still funny today. These bits seem to be incorparated from old yiddish theater and Catskills comedy. This collection pokes it funny at satiring everything from James Bond (James Bondstein) to the reading of the family will (one of the best selections). Some of these skit punchlines you will see coming, however it is still funny over 35 years later if you have not heard them before..And if you have, as my grandmother told me "You can listen to it again!"
For Dr Demento fans, Frank Gallop does the Immortal "The Ballad of Irving" which is on this collection as well as Dr. Demento 20th Anniversary Collection: The Greatest Novelty Records of All Time
So as the CD states You dont have to be Jewish..but once you hear it, you will become jewish with laughter
Bennet Pomerantz AUDIOWORLD
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gentile education
I had the profound good fortune to make life long Jewish friends when I attended the University of Miami in the late 1960's. Among the treasures of their friendship was their humor. This CD replaces the LP long ago lost in moving from apartment to apartment in my youth. I feel like I've found a part of myself that was lost. I attended Sabbath Eve services with my friends and they would come to Mass with me on Sunday. Their parents would exclaim during visits to school: "Oy. It took a Gentile to get my Howie to go back to shul!" God bless Jewish humor. It keeps us HUMAN !!!! By the way, I am an ordained Catholic priest. Go figure.
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Loved it as a kid, love it as an adult
I was thrilled to find this album on Amazon. I have great memories of listening to the LP version of this album during the 1960s with my parents. It was a testament to the comedy that parents and kids alike would laugh out loud during the routines, and that everyone from Grandma to the baby of the family (that would be me) could recite the lines in unison. Forty years later, I can still remember the jokes! I thought that this great show would live only in my memories, but then I discovered the CD version on Amazon. I ordered copies immediately for myself and my parents. I'm delighted to report that the comedy routines are as hilarious today as they were forty years ago. The routines have aged well, and the delivery is timeless.
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Ethnic humor that is not offensive
I own the long-playing album, but haven't been able to listen to it for many years. What a kick to find it on CD! I laughed all over again at the terrific humor, and I'm not Jewish. The title of the record says it all: it's not necessary to be Jewish to get a real belly laugh out of this delightful ensemble presentation. Now I wonder if another album by the same ensemble, "The Yiddish Are Coming, The Yiddish Are Coming!", will be released on CD.
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Finally able to replace our worn-out LP passed down by Baba (my bubbe)
The title, as everyone will tell you is true: My gentile mom was just as big a fan of the 1965 album as my dad and his Ukrainian Jewish mother. "The Reading of the Will" is one favorite family classic, as is the hide-and-seek playing wife who, drawn out by her husband's offer of expensive jewelry, coyly proclaims, "I'm hiiii-ding ... IN THE FRONT CLOSET!" More than 40 years later, the jokes still hold up, though Mom did observe when we listened to the CD that more of the jokes than she remembered are slightly mean-spirited. Don't misunderstand: They are never mean-spirited toward Jewish people, only toward whichever person is the butt of the joke. The second album in this double CD was a 1966 follow-up to the Grammy-nominated original, and contains one version of "The Ballad of Irving," a song that will be familiar to any Dr. Demento fan. (Sorry to say, this version does NOT have the line, "He came from the old Bar Mitzvah spread / With a 10-gallon yarmulke on his head"!)
You don't have to be Jewish, indeed, but familiarity with the turf does help you understand some of the humor, particularly on the follow-up "When You're in Love...." On that album, there's a whole bit about a woman who can't remember her son's surname; even as an adult, I didn't get it until Mom explained that it's a reference to the tendency to choose a less "ethnic" name to get along. But the majority of the material was funny even to my little grade-school self in the 1970s, and it still holds up well today in its universal themes as well as in its culture-specific jabs.
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