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Bing Crosby and Some Jazz Friends
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Bing Crosby
List Price: $14.98
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Product Details
- Artist: Bing Crosby
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- Binding: Audio CD
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- EAN: 0011105060325
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- Label: Verve
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- Manufacturer: Verve
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- Number of Discs: 1
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- Product Group: Music
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- Publisher: Verve
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- Release Date: 1991-10-08
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- Studio: Verve
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- Title: Bing Crosby and Some Jazz Friends
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- UPC: 011105060325
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Avg Customer Rating: 
Product Description: Bing Crosby, aside from his more obvious talents, was one versatile cat. This document of his work in the 1930s demonstrates both his adaptability and his taste. Within the space of these tracks, Bing trades hipster lingo with Louis Jordan, wisecracks with Connie Boswell, and backslaps with Louis Armstrong as if he'd been working with each artist for years, not hours. Through it all, Crosby is unflappable, self-effacing, and cool as the other side of the pillow. Crisp arrangements, good-to-excellent sound, and topnotch, gloriously carefree performances make this a crucial document to anyone even remotely interested in Bing, early pop music, or jazz vocals. --S. Duda
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Customer Reviews
fine CD of jazzy numbers for Bing and his buddies
Bing Crosby could do just about anything he set his mind to doing; and this CD proves his wide range of vocal abilities. Bing's voice never sounded better; and it's a pleasure to hear these fine numbers Bing performs with his peers.
The CD track set opens with Bing Crosby and Louis Jordan performing "Your Socks Don't Match." The horns at the beginning sound great; and when Bing comes in this number takes flight! Louis Jordan and Bing truly convince you that they're best buddies with "Your Socks Don't Match." Great! Another great number is "Basin Street Blues" which Bing performs with the great Connie Boswell. There's some surface noise on "Basin Street Blues;" but this number is so good it scarcely interferes with the grand entertainment. Connie Boswell sings with all her heart and soul; together she and Bing Crosby sing of the wonderful Basin Street where people can go to see some of the finest entertainment around! The musical interlude makes good use of the brass as well.
"Pennies From Heaven" features an excerpt of this classic ballad done by Bing Crosby with both Louis Armstrong and Jimmy Dorsey; and this number lacks nothing--it's THAT good. Louis's voice stay strong though it's not as gravelly as it would become; and Bing sings this with all his heart and soul. What music by Jimmy Dorsey and those fine musicians! Unfortunately, the fact that this is an excerpt disappoints me; and I must take off a star for this to make this a four star review. Sigh.
"The Birth Of The Blues" showcases Bing paired up with the great Jack Teagarden. Some of the language for black people in this version is embarrassingly dated; but the number swings well. Bing Crosby sings to perfection and Jack Teagarden's Orchestra never misses a beat!
One of the treats this album gives us is that we get both an unissued version and a released version of "After You've Gone." Bing Crosby and Eddie Condon deliver this jazzy rendition with panache and all their soul. The musical arrangements make good use of the horns and percussion, too. Listen for great jam sessions in the middle of both versions of "After You've Gone." "Personality" showcases Bing doing a great jazzy rendition of this classic ballad; and the musicians never miss a beat!
"On The Sunny Side Of The Street" begins with some sharp percussion as Bing croons this number without a superfluous note. The catchy, relentlessly upbeat melody grabs your attention and holds it, too. Eddie Condon does an awesome job with his vocals which are mostly spoken; yet they add to the beauty of the number very well.
The CD track set ends with Bing and Louis Armstrong together once again; they do a sublime rendition of "Gone Fishin'." This number showcases a somewhat more mature Bing and Louis but their performance is every bit as electric as it ever was. "Gone Fishin'" provides a strong, upbeat ending for this album.
The liner notes have great artwork; and Richard M. Sudhalter provides an extensive, informative essay about these numbers. We also get the song credits and the detailed discography impresses me.
As I mentioned above, we should have had more than just an "excerpt" from "Pennies From Heaven;" and some of the language for African American people is embarrassingly dated on "The Birth Of The Blues." I must take off one star for this disappointment. I thought of taking off more than one star but what we get on the rest of the CD is so flawless that I'll leave it at four stars.
Bing Crosby's talent was very, very special; and when he did these marvelous numbers with his peers both their talents shined more brightly than ever before. I highly recommend this CD for Bing Crosby fans; and people who appreciate classic pop vocals will love this album for ages to come.
Enjoy!
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* BING SWINGS *
Bing Crosby doesn't get a lot of acknowledgment for his achievements these days, and perhaps what is most forgotten is that he began his career as a jazz singer and innovator. The early evidence for this can be found on great discs such as Bix N' Bing and 1926-1932, however, Bing Crosby And Some Jazz Friends deals with Bing's jazz chops AFTER he's joined the Decca label. His swing is much more laid back and cool, and his confidence and humor are plentiful. The tracks are from 1934-1951, and feature some true jazz luminaries such as Louis Armstrong, Louis Jordan, Connie Boswell, Joe Sullivan & Bobby Sherwood, Jimmy Dorsey, Jack Teagarden, Eddie Condon, Lionel Hampton, Lee Wiley, Woody Herman, and Bob Crosby's Bob Cats. Of course Bing's smooth voice, brilliant phrasing, and preternatural cool abound. It's a real treat to hear Bing backed by some talented bands and soloists, and with some worthy material, rather than coasting along with the plodding studio orchestras and lackluster material he was often saddled with. The duets with greats such as Louis Armstrong, Louis Jordan, and the woefully neglected Connie Boswell (check her out) are pure manna from heaven. The instrumental backings Bing receives on gloriously swinging numbers such as Moonburn and After You've Gone are fantastic, and the recordings themselves are showcases for how good jazz can be when one is hearing the perfect combination of singer, band, and tune. Bing is truly inspired by the musicians he joins for these sessions, and he subsequently turns in some of his finest recordings ever. This disc is BY FAR the greatest collection to deal with Bing's jazz work in his Decca years, and is one of the finest collections of Bing out there, regardless of style or period. Anyone looking to get into Bing, classic jazz, or simply hear some joyous and refreshing music, should pick this one up without delay.
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The Jazz Side Of Bing!
This masterpiece of a CD was issued by Decca/MCA in 1991, and I can not believe that it is taking me this long to review it. Unfortunately, sales of the CD was not what they expected, but I see no reason not to like it. Bing Crosby is often remembered only for "White Christmas" and pitching Minute Maid orange juice, and that is not the case. Bing could sing ANY type of song from country to jazz, and he also sang with the best of them. Actress Jane Wyman once said "if you can't sing with Bing, you can't sing!"This CD is full of goodies. Included is Bing's two great duets with Louis Jordan, "Your Socks Don't Match" and (my favorite)"My Baby Said Yes". Louis was kind of the Fats Waller of the late 1940s, but Bing actually sounded great with him. There are also a few duets that Bing did with the underrated Connee Boswell. I think that Connee was the best white jazz singer of all-time. Other favorites on the disc include:"On The Sunny Side Of The Street" with Lionel Hampton,"I Still Suits Me" with Lee Wiley, and "When My Dreamboat Comes Home" with Bob Crosby. The only track that I think was a poor choice for this collection was "Pennies From Heaven" with Louis Armstrong and Frances Langford. It's a good recording, but not really a jazz selection. Once again, I can not say enough about this CD. The sound is of high quality, and the selections are nearly perfect. Even if you are not a huge fan of Bing Crosby, if you are looking for some great jazz, then this is your CD...
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Great Fun
OK, so you already know about this man of firsts and bests, right? First star of electronic media. First hip white person in America. Number one star of recordings, radio, movies and tv, with roots in vaudeville. Maybe you already have in your collection or your sights the Legendary Years boxed set. You are initiated. Do you need this recording in your collection? Report to the NAY-shun!It's like this. These duets are all fun examples of the great playful, effortless COOLNESS of der Bingle, especially his great gift of playing off others. He can be the straight man musically as adeptly as he did on stage and screen with Bob Hope. And he can be the man. He shows both skills here. He was the master of rhythm and phrasing, as he shows on "Your Socks Don't Match" with that other master of rhythm and phrasing, the peerless Louis Jordan...con-tin-nue-Lou. Even on a "crooner" ballad like "Blue (And Broken Hearted), with Eddie Condon, he swings and bounces off the downbeat with that effortless confidence that was his trademark, like Louis Armstrong on Valium. "Pinetop's Boogie Woogie," and "On the Sunny Side of the Street," with Lionel Hampton just swing. The duets with Connie Boswell on "Basin Street Blues" and "Yes, Indeed!" are Hope-and-Crosby-like banter set to music. Has you got it Sister Constance, tell me, has you got it? Ohhh yeah, Brother Bingstance, you know I got it. Are these the greatest performances you have ever heard? Maybe not. But they're all good. The "Pennies From Heaven" and "Gone Fishin'" duets with Louis Armstrong are classics. There aren't any clinkers. And if you like (or would like to become acquainted with) Bing Crosby's unique way of riffing off whomever he was singing or joking or acting with, this is a sampler of him doing just that with a broad variety of jazz greats and pretty goods. Nobody did it like Bing.
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Great Fun
OK, so you already know about this man of firsts and bests, right? First star of electronic media. First hip white person in America. Number one star of recordings, radio, movies and tv, with roots in vaudeville. Best-selling record of all time. Maybe you already have in your collection or your sights the Legendary Years boxed set. You are initiated. Do you need this recording in your collection? Report to the NAY-shun!It's like this. These duets are all fun examples of the great playful, effortless COOLNESS of der Bingle, especially his great gift of playing off others. He can be the straight man musically as adeptly as he did on stage and screen with Bob Hope. And he can be the man. He shows both skills here. He was the master of rhythm and phrasing, as he shows on "Your Socks Don't Match" with that other master of rhythm and phrasing, the peerless Louis Jordan...con-tin-nue-Lou. Even on a "crooner" ballad like "Blue (And Broken Hearted), with Eddie Condon, he swings and bounces off the downbeat with that effortless confidence that was his trademark, like Louis Armstrong on Valium. "Pinetop's Boogie Woogie," and "On the Sunny Side of the Street," with Lionel Hampton just swing. The duets with Connie Boswell on "Basin Street Blues" and "Yes, Indeed!" are Hope-and-Crosby-like banter set to music. Has you got it Sister Constance, tell me, has you got it? Ohhh yeah, Brother Bingstance, you know I got it. Are these the greatest performances you have ever heard? Maybe not. But they're all good. The "Pennies From Heaven" and "Gone Fishin'" duets with Louis Armstrong are classics. There aren't any clinkers. And if you like (or would like to become acquainted with) Bing Crosby's unique way of riffing off whomever he was singing or joking or acting with, this is a sampler of him doing just that with a broad variety of jazz greats and pretty goods. Nobody did it like Bing.
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