A new standard in music box sets
Rhino exhausted the Atlantic vaults of its Ray Charles catalogue, added a smart hardcover book, threw in an obscure concert on DVD and packaged everything in a magnificent carry case that resembles a vintage 45-record player. The result is the ultimate tribute to one of the giants of modern music, and raises the bar in box sets.

I don't see how anyone can improve on PURE GENIUS. The 6 CDs (each averaging 78 minutes) of Ray's released music are a sheer pleasure to listen to over and over. Credit Ray but also the sequencing.

Instead of arranging the tracks by album release date (i.e. The Velvet Underground and Cream boxes), Rhino gambles by sequencing according to *recording* date. Remember that until 1967's Sgt. Pepper, pop albums were hodge-podges of songs gathered from various sessions. With Ray's albums, songs spanned entire years. Rhino's approach allows the listener to enjoy each phase of Ray's recording career, from his soul breakthrough on disc one to the big band of disc six.

Another consideration is that Ray recorded in so many genres at once: gospel-tinged soul one week, straight jazz the next and back. Rhino's sequencing highlights Ray's versatility and virtuosity, which you cannot find on any other compilation and certainly not a greatest hits package which compiles only songs. I was expecting soul vocals with the Raelettes, but was blown away by Ray's instrumental jazz, which his big hits have unjustly overshadowed.

Disc seven--of outtakes and sessions (a fire destroyed all other session tapes)--provides a glimpse of an early recording session as well as part of a later one. The disc demonstrates Ray's growing confidence in the studio. However, this disc is for Ray's hardcore fans rather than casual listeners. And for the hardcore, it's a gem.

Another bonus is disc 8: the DVD of Ray's ultra-rare 1960 concert at the Newport Jazz Festival. It's a stationery camera shooting grainy black-and-white footage, but Ray's performance is assured through nine numbers. A 20-minute interview by Taylor Hackford of Ahmet Ertegun (who signed Ray to Atlantic) is another gem.

Liner notes in the hardcover book avoid empty hype and offer insight into Ray's brilliant career at Atlantic (written by biographer David Ritz). A detailed discography is another plus.

Now, what can I say about the packaging? I own several box sets and this one takes the prize for originality. It resembles a 45-turntable. Lift the "turntable" and the book and discs rest beneath. And the handle makes it portable.

A caveat: this box ain't cheap, and it's intended for hardcore Ray fans. More casual admirers should pick up the 3-CD BIRTH OF SOUL or a greatest hits package, but those don't include Ray's magnificent jazz sides.

Obviously, PURE GENIUS was a labour of love by the folks at Rhino. Some box sets are a formulaic mix of greatest hits, a few unreleased tracks, and some live tracks. This goes one further: it places the artist's music in its proper context which makes you appreciate his overall career even more.

If you find this box, get it. I did and it's worth every penny I paid and then some. I love PURE GENIUS.

Brother Ray @ his best!
The Atlantic Period was Ray Charles at his best. This is all his recordings in great sound quality. The extra disc reveals Brother Ray's creative process. The DVD shows the reaction by the beatniks to Ray's music at the Newport Jazz Festival. All in all a very worthwhile purchase for all levels of Ray's fans.

Buy it now
This collection solves one common problem with Ray Charles compilations. Usually , you only get the best of the VOCAL Ray Charles. Sure , the vocal Ray is the Ray most know and love best; but that only tells part of the story. The vast majority of Ray's instrumental works were also terrific recordings. With this package , you get everything Ray did with Atlantic for seven glorious years. Pure genius indeed.

can you believe it
This is a beautifully presented collection of Ray Charles, excellent value, does however contain some songs which could stand better edit techniques to bring out a better spread in the spectrum of the sound quality, however if one takes into account the improvement in technology since that time it probably gives a more accurate indication of the simpoler recording process of the time. Again an excellent collection which may well disappear of the shelves in years to come I do not believe any dedicated follower of Ray Charles over the years could afford to miss this collection

This Set Gave Me What I Was Looking For & More
For my taste, there seems to be three phases of Ray Charles' career... 1. His early Swing Time days (when he sounded more like Nat King Cole than Ray Charles) 2. The Atlantic Years (where the sound was raw, cutting edge, and powerful) 3. The ABC Years & Later (where the craft was more refined, instrumentally and vocally). What I had longed for was a compilation or box set that focused on those Atlantic days and drilled down past the standard Ray songs that are on just about EVERY Ray Charles CD you can find. For that, this set is unmatched. In addition to some of the more popular "live" cuts, there are a good 50 songs on here that I had never heard (I'm talking beyond the songs on "Anthology" or the movie soundtrack) that are fantastic and are every bit as much a part of my Ray Charles i-pod rotation as "I Got a Woman" or "Mess Around".

The real treat (in my opinion), is the 30 or so outtakes and rehearsal cuts. Here, you get to hear what it was like in the recording studio with Ray Charles... there is actually an 8 minute track that covers the recording of "Night Time is the Right Time", which allows you to experience how particular Ray was with the sound HE wanted. Knowing from past readings that multiple takes on a song were a pet peeve of his, one can actually hear his tone change with the band and the guys in the booth as the takes begin to add up... great stuff for any Ray fan who has wondered (as I often have), "How in the world does he do that?"

The only reason this set gets 4 stars from me instead of 5 is that there are many (as in 25 or so) instrumental tracks. Don't get me wrong, they are all solid jazz tunes (as good as any other jazz CD I own) but I would have preferred more of Ray's vocals. Still, my rating may very well not be fair. Afterall, it is the COMPLETE Atlantic Recordings.

It's quite a bit of money to put down and I pondered it for quite some time, but well worth it if you're looking for more than what you can find on a Greatest Hits compilation.