love it!
I love this CD. It takes me back to the 80's with lots of cool music.

Ready for the reissue treatment
This is just a really awesome CD and I'm suprised it hasn't been given the re-issue treatment as of yet. All The Rage was released in late 1984 or early 1985. The US singles were "Tenderness" and "Never You Done That." The album itself contained a lot of different sounding songs. General Public toyed with reggae ala UB40 style on the song "General Public." I enjoy the whole album but really like songs like "Anxious," "Where's The Line," and "Are You Leading Me On?" There are some really great remixes to some of the songs on this album, I hope that it is given the reissue treatment soon.

TENDERNESS
1984 Brit pop group dabbling in funk and ska yielded one great song; "Tenderness", a jingly piano-driven, bassoon enhanced, unabashedly sweet, catchy song that contains maybe the most representative line of '80s suppressed left wing agenda, - "I open my mouth and out pops something spiteful.", it rises above the hyperactive vocals and dull routine funk of the other songs, although the song, "General Public", adds Middle Eastern and progressive elements in a grandiose album closing. Band member, Ranking Roger (vocals, keyboards), has put out at least one fine Motown influenced solo album, and Clash guitarist Mick Jones, plays some rough guitar on some of the tracks. The band needs to lean more towards it's tender side than it's frantic funk.

Catchy and enjoyable
Nothing spectacular here, just a thoroughly enjoyable pop/new wave/synth/whatever offering from an outfit that probably deserved more attention. Definitely worth getting.

More than just another 80s Synth-Pop Sounding Group
My first exposure to General Public came in 1984. I was listening to the original WKTU radio in New York City and this song called "Tenderness" came on then. At the time, this radio station was the "Disco/Dance" radio station in New York. What I distinctly remember about this station was that it was a very different song than the dance numbers that were typically played on this station. Nonetheless, this song caught my attention as well as the attention of many other fans. It turns out that this was a true "crossover" song done by the group General Public. It was part of a collection of ten songs that could easily fall into the "crossover" 80s/Techno-Pop category from General Public's debut album "All The Rage".

In the mid 1980s, the term "Supergroup" became very popular. A Supergroup is basically a group or project whose primary members were in other successful bands. The two most common Supergroups were the Power Station and Mike + The Mechanics. Before either or these Supergroups, there was a Supergroup called General Public. When the English Beat disbanded, vocalists Dave Wakeling and Ranking Roger decided to form a new band. They recruited keyboardist Micky Billingham and drummer Andy "Stoker" Growcott from Dexy's Midnight Runners. Also recruited was bassist Horace Painter ("The Specials") and guitarist Kevin White. Both The English Beat and Dexy's Midnight Runners produced a most unique 80s pop sound that has almost become synonymous with the decade itself. Make no mistake about this, the sounds of both of these groups are alive and well with this "alliance". In a lot of ways the formation of this alliance results in so much more than "80s music".

Here is a quick synopsis of the album song by song:
"Hot You're Cool": This might not be the deepest song in terms of lyrics, but there is a lot more than just an 80s sound on this particular track. There is some terrific saxophone work that makes the melody so terrific.

"Tenderness": This is the signature song of the group. There are a lot of reasons this became the signature song. You will hear Wakeling and Roger's trademark vocals, - but you will hear contributions from just about everyone in the band. I think Billingham's keyboards, Painter's bass, and White's guitar deserve a lot of credit. Justine Carpenter does the background vocals (i.e. "Where is the...") that make this song so special. As mentioned above, this is a crossover song - although I see it more as a Dance song.

"Anxious": Although not the strongest track, here is another track that breaks the 80s mold. This song features a brass section of some trumpet and trombone that helps distinguish it from many other 80s tracks.

"Never You Done That": This was the second single released from this album. Here is a song that definitely walks the tightrope between rock and dance music. This is a pretty good track and the more you hear it, the more you will want to hear it.

"Burning Bright": This is the second best song behind "Tenderness". I am very surprised this song didn't get more airplay. This song opens with some outstanding guitar with a light keyboard overtone. "Stoker"'s drumming is strongest on this track. There is a 1 minute introduction. This isn't as much of an 80s Techno-Pop track as the others, but has much more of a progressive rock sound. This is the song that has the lines "From Moscow to Monterey and From Maine to Mexico" that is printed on the back of the CD.

"As a Matter of Fact": I don't think this is the strongest track, but it isn't a bad track. This song moves back toward the Techno-Pop sound and has much more of a Dance Music feel to it. "Stoker" shines here again with some nice drum work on here.

"Are You Leading Me On": From a lyric and melody standpoint - this song starts out with a Classic 80s Techno-Pop feel to it. About 90 seconds into the song there is a terrific reggae sequence that is a nice change of pace. General Public finds a great way to integrate the reggae into the song and they switch gears flawlessly.

"Day to Day" also starts with a Classic 80s feel to it. Unlike "Are You Leading Me On", it doesn't switch gears. It sticks to the Classic 80s feel. I would say this is the weakest track on the collection.

"Where's the Line": Terrific mix of 80s music with a Carribean Twist. This is a very catchy song and one that is good for the dance floors. Vocals are in top form and once again the horns find their way into a track.

"General Public": I think its great when a group names after song after themselves (or names the group after the song). This song is the perfect wrap-up song. It is a mix of some theatrical qualities and a very European sound. This song too is pretty catchy.

The liner notes contain all of the lyrics to all of the songs. All participating musicians are listed in the credits as well along with some of the production credits. The one drawback of the liner notes is that the lyrics and credits are put into 6 thin columns per page. The result is small fonts and very difficult to read. Following this debut album, General Public's subsequent albums would never achieve the success of this debut album from both a commercial or critical standpoint. Much of this was due to the fact that in the late 80s and early 90s, the music landscape would change and move away from synth-pop to a more natural Rock Sound. However, this is more than just another 80s album - there is some real talent on this collection. You will get so much more than the song "Tenderness". I highly recommend this collection.