The Beatles '66
There's a reason why Revolver is a personal favorite for many Beatles fans: Sgt. Pepper may have been more innovative, and Abbey Road may be more pleasantly scatterbrained, but Revolver has better songs. It has "Taxman," which is one of the group's coolest numbers, what with that neat chord progression and those smug lyrics and the guitar solo that just screams "1966." It has "Here, There And Everywhere," one of the finest pop songs of all time (it was, after all, Paul's famous attempt to top Brian Wilson). It has the delirious rock classic that is "She Said She Said," and the languid beauty of "I'm Only Sleeping." "And Your Bird Can Sing" laid the groundwork for power pop with its sky-scraping melody and jangling guitars. "Tomorrow Never Knows" will rip your brain in half.

Even the throwaways are fun: "Got To Get You Into My Life" and "Good Day Sunshine" are catchy and silly and soulful, and "Doctor Robert" is a fantastic poker-faced drug anthem. "I Want To Tell You" is worthwhile for its swooping fade-in, if nothing else.

Plus, Revolver is just plain cooler than most of the Beatles other albums. While Sgt. Pepper's often (let's be honest here) got a bit too silly for its own good, Revolver always sounded like futurist pop art with a genuinely rockin' backbone. It was playful, but it was also smart and hip. It knew how to hold experimental tendencies in check when necessary. As such, Revolver has aged much better than most of the other "cutting edge" recordings of the 60s. It still sounds fresh and hip and exciting. Don't believe me? Buy it and see for yourself. You won't be sorry.

need a 6th star for this one. Must-have!
With "Rubber Soul", the Beatles started maturing as artists and moving away from "mere" teen pop, but it was with "Revolver" that they hit their peak. Certainly the albums that came later were perhaps even more ambitious and got more press and, yes, hype. Nevertheless if I have to choose a favorite Beatles album, it would be "Revolver". I've had this album for a long time (in LP format), and it's been one of my favorites. Almost by coincidence I was recently exposed to this album again after many years. I'm happy to say that this one absolutely stands the test of time. It's now on heavy rotation in my stereo.

Originally on LP the US and UK releases of the Beatles allbums up to and including this one were different. I the case of "Revolver" the difference was that the U.S. version was missing 3 songs. The CD release is the UK version, so it includes all 14 tracks. There really isn't a weak track on the album, although perhaps the least "essential" track is "Dr. Robert". It's certainly a decent enough song, but it's not fantastic and doesn't really add anything crucial to the song mix. One reviewer suggested that "Paperback Writer", which has a similar style, would have been a better inclusion, and I would agree. Actually when I listen to the album, I typically skip two songs, "Yellow Submarine" and "Love You To". Both are certainly very creative groundbreaking songs that add to the variety of the mix, but frankly I don't need to hear them too often (all 3 of George's "raga rock" tunes have not dated well, IMHO). Everything else on the album is absolutely great.

George Harrison's other two songs, the opener "Taxman" and "I Want To Tell You" are among his best, and really show him hitting his peak as a songwriter. Eleanor Rigby's lyrics and music (including brilliant orchestration) are case study in isolation and despair. "For No One" is also rather sad, but brilliantly crafted ballad by McCartney. "Here There and Everywhere" is more optimistic and has to be considered one of Mcartney's best songs ever. "Got To Get You Into My Life" and "Good Day Sunshine" are wonderful too, both bursting with a positive vibe.

John Lennon's other 3 compositions are all experimental in nature. "And Your Bird Can Sing" `s most distinct feature is a very unusual guitar riff. The sound of the guitar can be described as a sunnier version of the one on "Rain" (The single "Paperback Writer" / "Rain" is stylistically consistent with this album). This is contrasted with a refrain that sounds almost retro. The part when he sings "I'll be `round" could almost be from an early Beatles song. "I'm Only Sleeping" and "She Said, She Said" Have a druggy, lazy feel to them, with the latter having more overt psychedelic references. Of course the song that takes the experimentation to the furthest degree at that point in time is the closing song "Tomorrow Never Knows". This one must have truly been a mindblower in 1966! It incorporates all sorts of avant-guarde experimentation techniques - drones, tape effects, distortion, and a really strange song structure that basically has no chord changes to it. Not to mention the creepy "seagull" noises! The result is absolutely hypnotic and spooky. I really sounds like it's coming from another dimmension. Although this is definitely John's creation, evidently it was Paul that introduced the band to the tape manipulation techniques that were being used by such avant-guarde composers like Karlheinz Stockhausen. This contradicts the conventional wisdom that John was the experimenter and Paul was the conventional pop guy. They all seemed to have a real talent for absorbing ideas and influences, which they then seamlessly vowe into their onw style.

In addition to strengths of the individual tracks, what makes this a fantastic album is how cohesive it is. There is incredible diversity, but it all fits together wonderfully. An essential album, I think!

need a 6th star for this one. Must-have!
With "Rubber Soul", the Beatles started maturing as artists and moving away from "mere" teen pop, but it was with "Revolver" that they hit their peak. Certainly the albums that came later were perhaps even more ambitious and got more press and, yes, hype. Nevertheless if I have to choose a favorite Beatles album, it would be "Revolver". I've had this album for a long time (in LP format). Almost by coincidence I was recently exposed to this album after a long time. I'm happy to say that this one absolutely stands the test of time. It's now on heavy rotation in my stereo.

Originally on LP the US and UK releases of the Beatles allbums up to and including this one were different. I the case of "Revolver" the difference was that the U.S. version was missing 3 songs. The CD release is the UK version, so it includes all 14 tracks. There really isn't a weak track on the album, although perhaps the least "essential" track is "Dr. Robert". It's certainly a decent enough song, but it's not fantastic and doesn't really add anything crucial to the song mix. One reviewer suggested that "Paperback Writer", which has a similar style, would have been a better inclusion, and I would agree. Actually when I listen to the album, I typically skip two songs, "Yellow Submarine" and "Love You To". Both are certainly very creative groundbreaking songs that add to the variety of the mix, but frankly I don't need to hear them too often.. Everything else on the album is absolutely great.

George Harrison's other two songs, the opener "Taxman" and "I Want To Tell You" are among his best, and really show him hitting his peak as a songwriter. Eleanor Rigby's lyrics and music (including brilliant orchestration) are case study in isolation and despair. "For No One" is also rather sad, but brilliantly crafted ballad by McCartney. "Here There and Everywhere" is more optimistic and has to be considered one of Mcartney's best songs ever. "Got To Get You Into My Life" and "Good Day Sunshine" are wonderful too, both bursting with a positive vibe.

John Lennon's other 3 compositions are all experimental in nature. "And Your Bird Can Sing" `s most distinct feature is a very unusual guitar riff. The sound of the guitar can be described as a sunnier version of the one on "Rain" (The single "Paperback Writer" / "Rain" is stylistically consistent with this album). This is contrasted with a refrain that sounds almost retro. The part when he sings "I'll be `round" could almost be from an early Beatles song. "I'm Only Sleeping" and "She Said, She Said" Have a druggy, lazy feel to them, with the latter having more overt psychedelic references. Of course the song that takes the experimentation to the furthest degree at that point in time is the closing song "Tomorrow Never Knows". This one must have truly been a mindblower in 1966! It incorporates all sorts of avant-guarde experimentation techniques - drones, tape effects, distortion, and a really strange song structure that basically has no chord changes to it. Not to mention the creepy "seagull" noises! The result is absolutely hypnotic and spooky. I really sounds like it's coming from another dimmension. Although this is definitely John's creation, evidently it was Paul that introduced the band to the tape manipulation techniques that were being used by such avant-guarde composers like Karlheinz Stockhausen. This contradicts the conventional wisdom that John was the experimenter and Paul was the conventional pop guy. They all seemed to have a real talent for absorbing ideas and influences, which they then seamlessly vowe into their onw style.

In addition to strengths of the individual tracks, what makes this a fantastic album is how cohesive it is. There is incredible diversity, but it all fits together wonderfully. An essential album, I think!

need a 6th star for this one. Must-have!
With "Rubber Soul", the Beatles started maturing as artists and moving away from "mere" teen pop, but it was with "Revolver" that they hit their peak. Certainly the albums that came later were perhaps even more ambitious and got more press and, yes, hype. Nevertheless if I have to choose a favorite Beatles album, it would be "Revolver". I've had this album for a long time (in LP format). Almost by coincidence I was recently exposed to this album after a long time. I'm happy to say that this one absolutely stands the test of time. It's now on heavy rotation in my stereo.

Originally on LP the US and UK releases of the Beatles allbums up to and including this one were different. I the case of "Revolver" the difference was that the U.S. version was missing 3 songs. The CD release is the UK version, so it includes all 14 tracks. There really isn't a weak track on the album, although perhaps the least "essential" track is "Dr. Robert". It's certainly a decent enough song, but it's not fantastic and doesn't really add anything crucial to the song mix. One reviewer suggested that "Paperback Writer", which has a similar style, would have been a better inclusion, and I would agree. Actually when I listen to the album, I typically skip two songs, "Yellow Submarine" and "Love You To". Both are certainly very creative groundbreaking songs that add to the variety of the mix, but frankly I don't need to hear them too often.. Everything else on the album is absolutely great.

George Harrison's other two songs, the opener "Taxman" and "I Want To Tell You" are among his best, and really show him hitting his peak as a songwriter. Eleanor Rigby's lyrics and music (including brilliant orchestration) are case study in isolation and despair. "For No One" is also rather sad, but brilliantly crafted ballad by McCartney. "Here There and Everywhere" is more optimistic and has to be considered one of Mcartney's best songs ever. "Got To Get You Into My Life" and "Good Day Sunshine" are wonderful too, both bursting with a positive vibe.

John Lennon's other 3 compositions are all experimental in nature. "And Your Bird Can Sing" `s most distinct feature is a very unusual guitar riff. The sound of the guitar can be described as a sunnier version of the one on "Rain" (The single "Paperback Writer" / "Rain" is stylistically consistent with this album). This is contrasted with a refrain that sounds almost retro. The part when he sings "I'll be `round" could almost be from an early Beatles song. "I'm Only Sleeping" and "She Said, She Said" Have a druggy, lazy feel to them, with the latter having more overt psychedelic references. Of course the song that takes the experimentation to the furthest degree at that point in time is the closing song "Tomorrow Never Knows". This one must have truly been a mindblower in 1966! It incorporates all sorts of avant-guarde experimentation techniques - drones, tape effects, distortion, and a really strange song structure that basically has no chord changes to it. Not to mention the creepy "seagull" noises! The result is absolutely hypnotic and spooky. I really sounds like it's coming from another dimmension. Although this is definitely John's creation, evidently it was Paul that introduced the band to the tape manipulation techniques that were being used by such avant-guarde composers like Karlheinz Stockhausen. This contradicts the conventional wisdom that John was the experimenter and Paul was the conventional pop guy. They all seemed to have a real talent for absorbing ideas and influences, which they then seamlessly vowe into their onw style.

In addition to strengths of the individual tracks, what makes this a fantastic album is how cohesive it is. There is incredible diversity, but it all fits together wonderfully. An essential album, I think!

The Seeds of Greatness Starting to Grow And Blossom
THIS IS A TRULY REMARKABLE ALBUM, FOR IT IS THE FOLLOW-UP TO RUBBER SOUL. IN RUBBER SOUL YOU STARTED TO HEAR THE NEW SOUNDS THE BEATLES WERE CREATING, LEAVING A THIRST FOR MORE. WITH REVOLVER, THE GROWTH OF NEW SOUNDS AND INSTRUMENTS IS BREATHTAKING. THIS ALBUM COMPLETELY LET'S THE LISTENER KNOW THAT 1, THE FABS WERE ADVANCING MUSICALLY, MENTALLY, AND ARTISTICALLY. THE START OF THE ALBUM, TAXMAN, SHOWS GEORGE COMING UP TO PAR WITH JOHN AND PAUL. THIS IS A FANTASTIC ROCK TUNE. AND AS USUAL, PAUL ALWAYS PLAYS AN INCREDIBLE BASS PART TO RIVAL GEORGE'S SONGWRITING ENDEAVORS! ELEONOR RIGBY, SUPERB! AS GEORGE HARRISON'S START TO SIMULATE US WITH HIS INDIAN LACE SONGS, SUCH AS, LOVE YOU TO.JOHN FOCUSES ON HIS MENTAL STATE, YELLOW SUBMARINE COMES AS A KID'S TUNE TO BE SUNG IN GRADE SCHOOL, A SONG FOR RINGO THAT'S NOT BAD. DOCTOR ROBERT ROCKS OUT!PAUL CONTINUES HIS SONGWRITING WITH ADDING DIFFERENT INSTRUMENTS, MAINLY BRASS, AND THAT COMES OFF VERY WELL DONE. ALL IN ALL REVOLVER IS A MUST FOR ANYBODY WHO WANTS TO FURTHER THEIR MUSICAL TASTE. WITH REVOLVER YOU REALIZE THAT SOMETHING OF THE MAGNITUDE OF SGT. PEPPER WOULD BE NEXT.