Edward Elgar, Luigi Boccherini, Antonin Dvorak, Camille Saint-Saëns, Joseph Haydn, Arnold Schoenberg, Robert Schuman, Daniel Barenboim, Sir John Barbirolli, Jacqueline du Pré, Valda Aveling, Georg Mathias Monn, London Symphony Orchestra, New Philharmonia Orchestra, Chicago Symphony Orchestra, English Chamber Orchestra
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Artist: Edward Elgar, Luigi Boccherini, Antonin Dvorak, Camille Saint-Saëns, Joseph Haydn, Arnold Schoenberg, Robert Schuman, Daniel Barenboim, Sir John Barbirolli, Jacqueline du Pré, Valda Aveling, Georg Mathias Monn, London Symphony Orchestra, New Philharmonia Orchestra, Chicago Symphony Orchestra, English Chamber Orchestra

Binding: Audio CD

EAN: 0077776328324

Format: Box set

Label: EMI Classics

Manufacturer: EMI Classics

Number of Discs: 3

Product Group: Music

Publisher: EMI Classics

Release Date: 1990-05-07

Studio: EMI Classics

Title: Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann

UPC: 077776328324

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Product Description: During her far-too-brief career, cellist Jacqueline du Pré exhibited an almost oracular power of communication. Her performances bristled with the kind of brilliant electricity that could change lives and convert listeners to a lifelong love of music. Happily, it's possible to experience a sense of that power from the recordings du Pré completed before multiple sclerosis halted her career as a performer in the early 1970s. This set provides a splendid portrait--at bargain price--of du Pré's unmistakable personality: the astonishingly original yet convincing phrasing, raw energy, and ability to make her instrument sound uncannily like a human voice (du Pré was after all a favored student of Mstislav Rostropovich). Her rendition of Haydn's Concerto in C is clearly cast in a romantic--and nowadays perhaps unfashionable--mold, yet du Pré's big, bold tone carries the musical line forward with exhilarating presence. It's a demeanor that proves especially reassuring for the quirkily mercurial inventions of Boccherini. Yet du Pré most indelibly leaves her signature on the work that became her hallmark, Edward Elgar's E Minor Concerto, grafting a deeply personal level of expression onto the score's rich post-World War I melancholy. In the Schumann, du Pré makes an eloquently passionate protagonist. A similar sense of excitement is to be heard in Dvorák's Concerto--performed near the end of her career--above all in the flame of inspiration she evidently sparks from the orchestra in the serene close of its slow movement. This is a supremely rewarding collection for the beginner and aficionado alike. --Thomas May